It's a bummer that you had to point people to shareware (Voltaic, which rocks) instead of Avid providing a "log and transfer" window in it's app. But the tools for transcoding will have to come from the outside. Notice that neither of those would fit easily on a small Unity.
#VIDEOPIER HD TV#
A TV show shooting 1000 hours needs 70TB to use P2 easily, and 15TB to use AVCHD (that's do-able).
#VIDEOPIER HD OFFLINE#
We will abandon offline someday when the drives are bigger and cheaper, and the computers can play multistream highres HD. This is a big "fail" for the guys who delivered the best tape-based offline/online workflow ever. if we have to go to outside apps to manage our media and transcoding on big shows, it really doesn't matter what we cut on other than editor preference. The missing thing from a market standpoint is that Avid kills FCP on media management. The major players, Avid and Apple, don't seem to understand that we still offline in TV workflows, and we often shoot hundreds, even thousands of hours, especially multicam shows. My solution is to develop third party soutions using scripts, outside apps and a lot of storage (disk and tape) and suffer through.
![videopier hd videopier hd](https://www.bhphotovideo.com/images/images1000x1000/iogear_guc3cdhd_usb_c_dual_hd_portable_1418503.jpg)
Now that we're seeing all these little cameras come into being, the prospect of saving $20,000 in tape (yes, that's what reality shows spend on HDV/DVCProHD these days) is tantalizing. ("Hey, I can get my hour of footage into the system for offline editing in only 6 hours!)
![videopier hd videopier hd](https://i.etsystatic.com/23260584/r/il/e2c7aa/2356933123/il_fullxfull.2356933123_r2n4.jpg)
I agree that getting it into the app isn't easy and 2 transcodes (or rewraps or whatever you want to call them) isn't really useful in the real world. I even have sources that say that Sony will come into the fold at NAB since the rumor is that they helped develop the format with Panasonic. (my rep and a low level support guy) and have decided that this is one that the purple triangle is gonna suffer on. I've also discussed tapeless workflows with a couple of people. I have been testing the new "150" camera with Panasonic. Have the best low light sensitivity but I always have a light on the top of the Toggle switch on the front of the camera control it all.
#VIDEOPIER HD MANUAL#
It has a mic input and the option of manual focus, zoom, iris, and If you in the market for a AVCHD camera I got the Panasonic HDC-SD100K Toast has a video player that plays back the AVCHDįiles if you want to watch the raw clips and has batch processing of clips. I’ve also converted to HDV and had success but I like theįeeling that what I import into the Avid is at the highest qualityĬolor correct my footage. Need to rebuild a project but I can always encode the AVCHD files back to
![videopier hd videopier hd](http://servus-comp.pl/o-servus-comp/wp-content/uploads/2016/01/Dell-Dual-Video-Docking-Station-USB-3-0-Full-HD-D1000-www.servus-comp-pl-2.jpg)
Importing into Avid I delete the ProRes files and keep the AVCHD files The Avid DV 100 codec works nicely but it only goes up toġ080i and I would prefer to keep my footage progressive. For some reason the DNX HD codec’s have issues.